- In What Country was it made? (USA, Japan, Mexico, France...)
Like Seagull and various other brands, Norman is basically Godin, so Canadian/US.

This is just a regular dreadnought, but it has a fairly large body and a very thin varnish, so the guitar has bass, it's dynamic (loud when needed) and the top let's the sound through thanks to that thin varnish, something you won't get on most guitars (especially not the black ones with the thick paint...).

The finish is nothing fancy but i really like that basic feel, without being rough: it's not trying to look fancy, and it sounds 'honest'. No messin around!

The neck is ok, although if you want a really easy guitar to play you might want to try a £2000 Taylor... ;-) This is ok, though. The frets on mine were getting worn and it was so expensive to replace them that it was cheaper to change the guitar...!

The neck is quite wide, with jumbo frets. Forget about accessing the higher notes on this one. Norman do cutaway guitars too but they're probably not quite so loud...

The body is quite wide so it can be a little uncomfortable to play when sitting down...

Thanks to the wide body and thin varnish, and choice of woods, this guitar has a very well balanced sound: plenty of bass, of treble and of mids.
Might sound like something you would take for granted but from my experience this isn't often the case. A lot of guitars have no bass or treble and sound aggressive. This one sounds great for pop rhythm, and if you're good enough you can probably get away with a nice solo too, although i haven't really done that much on this one.

The GS 330S is fairly plain and non-descript, with a satin finished cedar top, nato back and sides, no inlays, and a simple rosette, this guitar is no frills. Takamine put there money where it counted for a budget guitar like this.

The neck had a nice feel, fairly similar to a Japanese-made Martin I have. Very adequate.

I think the biggest contributor to the sound of this guitar is the satin finish cedar top. In this price range guitarmakers usually use lower quality and a thick glossy finish is applied to "dress it up" but Takamine has put a very light finish on their cedar top. First of all, cedar is a bit more mellower sounding than spruce and applying such a thin finish allows the top to reverberate more freely, giving a more "open" sound thats not stiff It also equates to more volume, which definitely is the case here as the Takamine projects quite well and respond very well to picking dynamics and fingerpicking.
The GS can handle everything from folk strumming, to single note blues runs.
My only complaint was that I thought it was a bit "thin" sounding, probably due to nato being used for the back and sides instead of more traditional mahogany, which is darker in tone. Selecting the right strings could help compensate, and the guitar was fairly balanced across the spectrum so my perceived lack of "thump" from this model doesn't mean it was shrill or harsh. It was actually quite sweet sounding overall.

- In What Country was it made? (USA, Japan, Mexico, France...)
I believe this is Canadian and possibly part made in the USA but i'm not sure.
Godin is Canadian, though.

- How many frets, Pickup Type and Configuration?
From memory i'd say it's a 22 with jumbo's.

- What type of Bridge(Floyd, Wilkinson...)?
Not sure but there is no tremolo and the strings go vertically through the body for added sustain. This bridge has an integral piezo pickup for the electro-acoustic sound (dedicated output) and a MIDI sensor inside too! Simply amazing!

- What are the setting controls (volume, tone, pickup selector position)?
An amazing array of controls on this magic piece of 'wood'...it's just full of electronics!
Listen up:
= volume & tone for the electric mics, with push-pull on the tone that carves out the mids for a gentler sound, very useful on rhythm. Electric output.
= electro-acoustic preamp with 3 band EQ and volume. This uses a 9V battery, fairly easy to replace but you need a screwdriver. Dedicated output.
= Midi volume and dedicated output. You'd plug this into a MIDI guitar expander, such as the Roland GR series, for instance.

En extra switch lets you toggle what is sent to one of the outputs, so you can mix the sounds inside the guitar!
Another switch let's you change MIDI presets!

- Does the neck have a nice feel?
The neck is fine! Just the right width for me...easy to play.

- Easy access to the top notes (last frets)?
Yep!

- Is it's design ergonomic(in terms of the shape, weight...)?
It's a bit heavy after a while, and real heavy to carry around, but...well...what did you expect? ;-) Probably no worse than a Les Paul...

- Can one easily get a nice sound?...
Hell yeah!

You can do pretty much anything you like with this guitar, although i would suppose a metal-head would prefer a Jackson or an Ibanez...

You can get jazzy sounds on the right amp, that electro-acoustic feel, or various electric sounds. Put it through a TC G-Force and you'll have an even wider palette to play with...it's a very versatile guitar.

I love that jazzy warm sound you get on a tube amp with the neck mic on and the tone half way.
But this is great too on a british 70's tube amp with distortion on 5 or 7...

The Epiphone Hummingbird HS is made in China. It has a 25.5" scale with frets. It has mahogany sides and back with a solid spruce top, and a rosewood fingerboard. It features pretty standard chrome hardware, split paralellogram fingerboard inlays, and of course the obligatory brilliant sunburst finish that Epiphone calls "Heritage Cherry Sunburtst" along with funky decorative pickguard. I was quite impressed of the quality of the finish on a 300.00 guitar.

The neck had a decent feel, nothing spectacular. At least this guitar is built to mimic the more expensive Gidson model so they already had neck specs to copy. Unfortunately, the action on the guitar I sampled was terrible, I mean absolutely dreadful. Anything beyond the 5th fret was increasingly difficult to fret, and playing anything beyond the 12th fret was almost impossible due to the high action.

Even for a 300.00 guitar, I was not at all impressed with the sound of this guitar. It had a "harsh" tonal quality that made me wonder "why?" I mean, its got a solid spruce top, a fairly large cavity to resonate, but you are left with a shrill bottomless tone.

This is a stereo preamp (with adjustable input gain on the front) with all the main guitar effects except a proper distortion. The flangers & phasers are lovely and the delays & reverbs are wonderful.

It's digital, of course, with 8 processors, 1 per effects module. So, unlike with other gear, you don't have quality loss when piling up effects, the quality remains optimal throughout.

2 high impedance asymmetric 6.35mm jacks, 2 line level TRS outs on similar jacks.
SPDIF in & out on coax.

24 bit 44.1 khz conversion, but not sure the digital I/O's can convey 24 bit signals...someone told be that they were 20 bit...(check that, i'm not sure).

There's MIDI in & out i believe, and you can easily set up a MIDI pedal board such as the Roland FC-200...the G-Force has a ready made template for it all set up.

For the price, i think they could have made this a 96 khz machine and/or have AES/EBU I/O's in addition to the SPDIF coax...it's just not a pro machine without AES/EBU!

Extremely easy to use, all is very very intuitive. You can see it wasn't designed like a TR-505 or an MC-303! :-D

Editing & saving presets is real easy.

Great manual, that is even nicely made...not just some cheap photocopy look-alike, this is nicely bound & all...a high-class manual for a high-class piece of gear. ;-)

The effects are nice but you can be tempted to overdo it...because they are so nice!
Then again, you'll have that problem with any effects processor...it's just that the others don't sound so good! ;p

The reverbs are amazing, of course, and you can use this for vocals or anything you like if you come in digital.
This is a very good effects processor.

The dynamics are good but not perfect: i still prefer going direct into a good amp, but if you accept that the sound is just different then you can enjoy it for what it is. It's still good, it's just not 100% the same...maybe only 95%? Anyway, incomparable with any Boss or Roland or Digitech effects i've tried...and i have tried a lot of those. True, the price isn't comaparable either! ;-p

The Epiphone AJ200SCE has a 25.5" scale, with mahogany neck and sides, and solid spruce top. It features an Epiphone-made Shadow pickup and a cutaway for ease in playing higher on the fret-board. The solid spruce top and pickup suprised me to have both of these features on a guitar that retails under $300.00.

I didn't particularly enjoy playing this guitar. It did not inspire my playing in the slightest, and I had no problem putting it down after a short bit of playing.

The neck had a nice feel to it, a good thickness and nice-feeling radius for string-bending and single-note runs as well as chording. The cutaway allows great access to the upper fretboard when you desire it.
The tone and overall sound did not initially impress me.

While this guitar boasts a feel and ease-of-play that is rare for this low of a price range, its sound did not impress me in the slightest. It sounded muffled and lacking the volume and projection I would expect of a full-size guitar such as this, although new strings could have revived it a bit. The sound was balanced; not harsh in mids or shrill in the highs, or boomy or muddy in the low end. But it was lacking in dymanics, responding very coldly to my finger picking and varying pick attack.

Good ole' Carvin. Made in the USA. 24 frets, ebony fretboard, Wilkinson tremolo. C22N and C22B, volume, tone, 3 way toggle switch. Mini toggles for coil tapping. Sperzel locking tuners. Sweet mahogany neck with Tung-oil finish. I also had a mahogany body model with a reverse headstock. Very fast. This guitar is built to burn.

The neck has a GREAT feel. Overall "C" shape neck... not super thin like an Ibanez Wizard... but every bit as fast. Maybe with even a greater range of control for serious bends.. more thumb pivot. Access to upper frets is without parallel. Smooth as butter and prices that compete with imports. Very balanced instrument.. comfortable weight distribution for long sets. This guitar does get a nice sound right out of the box, but I did change the bridge pickup out. More in "Sounds"

This guitar should be able to suit anyone's style except for maybe die-hard Jazz guys. (and gals ) It can pull off ANYTHING. Funk, Metal, Blues, Hard rock, etc. Perfect for studio use. It CAN do jazz as well... make no mistake! It just may not suit someone who lives for that semi hollow body sound. You can achieve loads of styles, and the coil taps increase your options greatly. Really decent single coil approximations... not exactly Strat-like.. but close enough.. maybe even brighter! I needed a guitar that had a little hotter bridge pickup, and the C22 would have to be my least favorite aspect of this guitar. Not a great pickup. Not horrible... but a bit lifeless and low output.. hard to describe. The M22T pickup from Carvin is great.. don't know why they came up with this thing. Anyway... switched it out for a Seymour Duncan JB (which coil taps on a mahogany bodied guitar very, very well.) and had much more gain. The C22N pickup is nice... I guess they are trying to get a 50's guitar sound. Not sure it was a success, but the neck pickup was worth keeping. Taps nicely.. and responds to cleans extremely well. Distortions..mmm.. well, certainly good enough. Quiet. Not super fat with a lot of distortion, but it can hang.
Hard to pick a favorite sound.. the cleans are very nice.. but with the JB... it definitely lends itself to shredding.

Using this on and off for like... 15 years? I have always had one of these in one guitar or another.. lol. I like this pickup overall. It is pretty balanced.. pretty hot.... but backs off nicely. Not scorching like a Gibson 500T for example, but still has enough gas in the tank to rock.. without the spikey trebles. Things I like least about it..hmmm. Well, it could have a bit more character.. I would not call it a bland pickup per se, nor would I call it a blank canvas. The overall characteristic would be the fact that it is balanced.. probably a good choice for a studio guitarist.. an inoffensive tone that can do heavy or clean. Ultimately, the benefit of this is versatility.
I've had this in basswood, alder, mahogany, alder with maple tops, mahogany with maple tops, etc, etc. guitars. It has a different character with all of them, but you always know it is a JB. There is always speculation, and reference that this is a "Jeff Beck" signature pickup... it has never been. Not sure, but there was some controversy regarding this as to Seymour trying to pass it off as a a signature model.. not sure how the legend goes. LOL! It actually stands for "Jazz Bridge". Hence, the fact that it is very balanced... good for fusion.

As I mentioned.. I have always had this in one or more of my guitars for over a decade. I would say I am fairly sold on this pickup. I think this is a good value given the prices for Gibson pickups for example... which are no better than this. I would make the same choice.... owning this pickup does not stop me from owning other pickups... if I could only own ONE pickup, I might reconsider .. then again.. I might not! It covers a lot of bases.. it could be considered an all-in-one solution.