This is a solid state amp. Mine is a black-face metal grill, so it doesn't say what the wattage is. But it is reportedly 15 watts, not 38 watts, and I think that is more accurate. There is one input. Also has an output for an 8 ohm minimum extension speaker as well as for headphones. It has two channels, including a clean channel with normal volume knob. The drive channel has drive volume and gain controls. Treble, mid, and bass knobs control both channels. The amp also has a drive select button to switch between channels. No foot-switch capability. All controls are on the front of the amp.

Being a practice amp, the configuration of the controls is very simple. I bought it used, so it didn't come with a manual. I don't believe it's necessary to have one, though. As with all my amps, my baseline setting is treble 10, mid 0 and bass 2. And with just this setting, I can get great sounds, especially on the drive channel. (See sounds section.)

The drive channel definitely suits my preferences for distortion ! (See settings from previous section.) With my baseline settings, the drive channel, has this raunchy, growly, powerful distortion with a wonderful presence to it ! The clean channel is OK. It's probably the worst Fender clean I have played, but that doesn't make it bad compared to other amps' clean channels. And the clean channel takes pedals quite well, so I can live with that, especially with the awesome drive channel ! I play a beginner Ibanez electric through a couple of pedals, specifically a zoom 505 multi effects pedal. When I set the Zoom to the Fender Twin setting, this baby's clean channel sounds awfully close to a fender twin. So I love the sounds that come out of both channels: the drive by itself, and the the clean with pedals through it.

This is a hybrid amplifier head. It is best described as a half solid state, with a 12aX7 tube for a tube amp feel. It is rated at 60W, and I would say that rating is accurate based on the volume. One input with two channels. One is a clean channel with volume, bass and treble. It also has a cool knob called "crunch". Distortion/overdrive channel has gain, volume, bass, mid and treble. There is also a reverb knob that controls both channels. There is a manual channel switch button, but there is no foot-switch included. There is a footswitch jack in the back, so there must be one you can buy. In the front, there are headphone and cd jacks. To conclude the back, there are effects send and return, as well as a minimum 4 ohm speaker output.

This head is fairly straightforward. It’s you basic 2 channel head with clean and overdrive. I put both channels on bass 2,mid 0, and treble 10, and it sounds decent, To get more thump out of the matching 4x8 speaker cab, I sometimes turn the bass up to 6 or 7, and it sounds pretty good. I don’t think the head comes with a manual, but because of it’s simplicity, I don’t feel that it really is necessary. I use this amp for rehearsals and the stage, but now I use it to practice with because it’s kind of cumbersome for rehearsal and the cab gets put in a box when I play on stage with it, which I think renders it useless.

By themselves, both channels sound OK, at best, in my opinion. The clean does not shimmer enough for my needs and the 2nd channel is a mediocre overdrive, and definitely not a distortion channel. The good news is that this amp appears to take pedals well, I don’t know if the 12ax7 tube has anything to do with it. I play my beginner level Ibanez through several effects, including a Zoom 505 multi-effect, and I can get a world of sounds and tones that mimic many guitar stars, past and present. See previous sections to see my settings for treble, bass and mid. Because it takes pedals well, I have many favorite sounds. I don’t know what to make of the crunch knob on the clean channel. It can provide a nice tube type breakup at lower volumes and pure overdrive at higher, and sounds good on its own. But when I introduce pedals, especially distortion/sustain on top of it, it sounds very muddy and TOO crunchy. So while it’s a great volume boost, it’s not a great lead boost.

Fender's G-DEC is a solid state combo amplifier with 15 watts of power and an 8" special design speaker. It features 16 amp models, 15 special effects presets (delay, chorus, flanger, etc), 15 drum and bass accompaniament loops, a metronome, and built-in tuner, and more.

Its controls include Gain, Volume, Tone, and a dedicated knob each for selecting amp models and effects, Backing Volume, Tempo, Key, Loop Select.

Its very cool how you can plug in a second guitar, for jamming or teaching and also plug in external music source (such as an ipod) for play-along.

Even due it being the smaller version (Fender also offers a 30 watt) it offers nearly all the features of its older bothers, and is very user-friendly because Fender managed to utilize knobs and avoid complex menus, so you still feel like you're playing an amp and not a computer.
I've tinkered with a Cyber Twin before, and this amp has a bit more ease-of-use, so it seems good for beginners or guys like myself that want to PLAY with what little time we have instead of being obsessed knob twiddlers.

First of all, the stock presets are a bit opver the top almost to the point of being cheesy. Some are useless. So you will have to invest some time creating your own presets but it will familiarize you with its capabilities, and its subtleties.

I particularly liked the Tweed and Blackface for clean sounds, and the Metal amp model was nice and extreme. It is hard to believe such a wide variety of tones is available in one package. You can get a full range of tones from jazzy clean, gritty clean, classic hi-gain, all the way to artificial harmonic-squealin, chugga chugga metal sound.

Just don't expect it to sound just like the real thing, or like a roaring half stack. Its great for bedroom volumes.

- What are the effects, or types of effects available?
Compression

- What technology is used? (analog, digital, tube...)
Analogue, tube.

- Can they be edited? through a Mac/PC editor utility program?
Nope

- What connection types are there? (Audio/MIDI)
In & out.

- Is the general configuration/setup simple?
Yes, very.

- Is the sound or effects editing easy?
Yes, but settings are powerful so u need to be careful and use them with subtlety. Too much can really kill the sound.

- Is the manual clear and sufficient?...
Yes, very clear, with preset examples.

- Are the effects good, usable and sufficiently realistic?
This is fine for electric guitar during a gig but be careful when recording cos you can add hiss easily. You might want to dehiss the track afterwards, actually.
This is no Neve gear...

- With what instruments do you use them?
Useless on bass unless you're looking for a special effect.

- What are the effects, or types of effects available?
Tube distortion and EQ.
Noise reduction knob on the back.

- What technology is used? (analog, digital, tube...)
100% analogue

- Can they be edited? through a Mac/PC editor utility program?
Nope

- What connection types are there? (Audio/MIDI)
In & out, like any simple pedal.

- Is it rackable?
Errm, it's a pedal.

- Is the general configuration/setup simple?
Hard to beat this level of simplicity ;-)

- Is the sound or effects editing easy?
Yes, you can very easily get something u like.
The EQ is very powerful and sounds good.
You can get a bit of noise/hiss but, well, this not a Mesa/Boogie rack, it's a pedal.

- Is the manual clear and sufficient?...
I think it has examples of settings but who needs a manual?? It's a pedal!!

- Are the effects good, usable and sufficiently realistic?
Oh yes!

- With what instruments do you use them?
Don't think the bandwidth would suit a bass or anything else than an electric guitar.

Less hiss would have been good but the noise reduction thingy works ok.

150 watts. (Not conservative at all, trust me.) Open back 1x12 with stock “blue” Fender speaker . This is a “red knob” model so my understanding is that it’s considered vintage. Two channels – Clean and Overdrive/Distortion with a “boost option”. Clean has Volume, Treble, Mid, Bass and Mid-cut switch. Overdrive/distortion has Gain, Boost, Treble, Mid, Mid-Boost switch, Bass, Contour with “tilt” switch, presence. The amp also has a master volume and reverb. Two inputs, one for channel switching, one for parallel channel mode. The amp also has switches for channel switching, or you can plug into the footswitch jack (which was included) to switch between channel 1 and 2 as well as to select reverb and/or the boost function. Effects loop and speaker out jack on the back panel of the amp as well.

The controls on the front are many, but it's fairly straightforward, especially if you are familiar with Fender amps. The "presence" and "mid-cut" controls are particularly useful. The only drawback is that I don't understand the purpose of the "tilt" control. I usually put the treble on 9 or 10, the mid on 0 and the bass anywhere from 2 to 9, and get great clean sounds, or great distorted sounds with a pedal. The amp is fairly heavy. As with all Fender amps, this is built like a tank. You could probably drop it from a skyscraper and it would keep on ticking. I did have to get the rear input jacks fixed for $20 about 3 days after receiving the amp from Guitar Center. But hey, it was used.

This thing is LOUD ! I don’t think 150 watts is an overstatement ! If you go anymore than 1, you’ve got band-mates and sound engineers sneering at you! Also great for out-competing your annoying rhythm guitarist in the volume department! Clean channel is the typical “glassy” Fender clean that many of us have come to love. The treble can be a little harsh, but hey, it’s a solid state! Overdrive channel is OK, but no one usually gets a Fender for the overdrive/distortion. (See my comments under “overall rating.”) I use the “boost” function on the distortion channel via foot-switch as it provides a great volume boost for solos !

- What type of amplification (Tube,transistor,...)?
Tube

- How much power is delivered?
N/A, this is a preamp.

- What connection types are there?
More than you can imagine: inputs, outputs & loops all over the place.
Ins on the front & back...2 output channels with individual settings...footswitch...this is some serious piece of pro gear.

- What are the setting controls, effects?...
Not sure i can count that high...
5 band graphic EQ + 3 band regular EQ, volume, master, rhythm bright switch, reverb, lead drive, lead master, EQ IN/auto/off, lead mode, lead fat, lead bright, master out A, master out B.
10 rotaries + 5 EQ faders. Never seen anything like it.

- Is the general configuration/setup simple?
Yes, same settings as you're used to on an amp, plus some more than you just have to try...nothing tricky.

- Can you easily get a good sound?
Now this is trickier than expected cos you're tempted to fiddle around and the EQ is very powerful. But you can get good sound if you stop messing around, haha.

- Is the manual clear and sufficient?...
Mine was second hand and i never had the manual.

Some say this has the best clear sound ever when used via the direct out for recording. True that it sounds quite good.

The distortion when pushed to the max gives you that endless sustain you've always dreamt of when listening to Gary Moore...

But Mesa/Boogie sounds Mesa/Boogie. You'll probably love it but you might not. Try it!

In any case, the range of sounds you can obtain here is awesome, and we're talking top of the range here. This is no POD or Boss pedal, folks, this is IT.

The Martin DCX1-E is a smaller bodied acoustic guitar made with mostly composite materials. The top is solid sitka spruce, but the back and sides are a high-pressure laminate or "HPL" with a textured mahogany appearance, the neck is made of "stratabond" which is a fancy way of saying they glued up a bunch of scrap and milled a neck out of it, and the fingerboard is made of something called "black micarta". I have not a clue what that is or if any tree was used for its creation. Even the face of the headstock is some synthetic veneer. This guitar has 20 frets, 14 of which are easily accesible by the cutaway.
It features a Fishman Classic 4 pickup/preamp. I noticed the no-frills approach to this guitar, with it having no inlays, no binding, and a simple rosette. Martin cut all kinds of corners to keep this guitar under 700.00 I guess.

The neck had a nice feel to it, a smooth finish (if you could call it that) that allowed for easy movement up and down the neck. The cutaway is convenient for playing higher than a standard acoustic would allow. The body seemed fairly thin to me, compared to my 1970's Martin Sigma, and it was quite comfortable to play sitting down, or standing up.
I was impressed with the sound as I played it, to the point that it made me scratch my head wondering how they can make a guitar sound so typically "martin-esque" when most of it is not even WOOD!

To be honest, I kinda want to hate this guitar. The materials in it are fairly untested and unfamiliar to me so I don't know how well they will hold up compared to more expensive Martin models that are, umm.... actually made with wood. But I do like its sound. Though not spectacular by any means, it is fairly warm and full, and by all counts very sweet and mellow sounding. It seemed to lack a bit of volume and projection since its got less cavity size than most guitars. Though there are exceptions; my ears usually don't have much patience for most guitars in the $500 range, or even <$1000 range for Martin. So I was suprised when I didn't want to put this guitar down. I could have sat and played it all day because whether it was chords, or single note runs, or graceful fingerpicking there was a sweetness of tone shining through. I genuinely enjoyed this guitar.